Years ago a man was slaughtered at a Midnight Matinee at the local theater. Up until now, the police have only had dead-ends, but suddenly the hunt is back on as an unidentified lunatic begins killing innocent film goers attending Midnight Matinees. All star cast features PJ Soles, Sal Lizard, Lloyd Kaufman and more!

Years ago a man was slaughtered at a Midnight Matinee at the local theater. Up until now, the police have only had dead-ends, but suddenly the hunt is back on as an unidentified lunatic begins killing innocent film goers attending Midnight Matinees. All star cast features PJ Soles, Sal Lizard, Lloyd Kaufman and more!

A showman introduces a small coastal town to a unique movie experience and capitalizes on the Cuban Missile crisis hysteria with a kitschy horror extravaganza combining film effects, stage props and actors in rubber suits in this salute to the B-movie.

Arun owns a property in Bangalore where he invites his friends for a reunion. However, Arun receives an offer for the place but along with his friends, he is trapped in the house.

An aging sci-fi writer is challenged by his caretaker to write about the life of a common man. Reluctantly, he begins the story of Kannan, an auto rickshaw driver, and his family—only to discover that ordinary life holds unexpected depth and drama.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets.Jim Buckley of the Pewter Plough Playhouse recalled:When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets.Jim Buckley of the Pewter Plough Playhouse recalled:When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

A young female embezzler arrives at the Bates Motel, which has terrible secrets of its own.

When Renee's shy teenage daughter Deandra finally makes a friend, Olivia, she is thrilled. After Olivia's initial bossiness turns into emotional abuse, Renee forbids the relationship from continuing, prompting the girls to run away together. Renee embarks on a desperate search for her daughter, before she's gone for good.